Saturday, March 12, 2011

What is your writing process like?

I have said before in previous posts that I liken writing a novel to trying to turn a cross word puzzle into a book. I would be very interested to see what other writers processes are like. The fact that my actual writing process did not compare with the way I thought the writing process should be frustrated me as a young novelist. Perhaps you might feel the same way.
I had this conception that the writing process should follow some set order like ABC. I thought that this is how people like Hemingway, Joyce, Shakespeare etc must operate. However, I found that my process was something more like AZWCRT with large empty spaces in between each step in the processs on the page and in the calendar.
For instance, I finished my first novel about 5 years ago and began looking for a publisher while starting to write my second novel when, like Dante in the Divine Comedy, I had journeyed half of our life's way, I found myself within a shadowed forest, for I had lost the path that does not stray.
And so, I am getting back to the task of publishing and writing. The task of writing for me is about accumulating a whole bunch of notes, individual sentences, catch phrases and other mental detritus (you can tell I like this word because I’ve used it in another post) and figuring out how it all fits together.
For example I’ve got this saying that I think I’d like a character to use somewhere: “trying to make a dollar out of 15 cents.” And, maybe the only silver he has to spend is in his beard….who knows.
And, of course, Swamp Lily is a great nickname for a prostitute named Addie Beckly. And, she might say something like “a sexually satisfied man is a lazy and useless man. But, if you whip him into a frenzy and keep him there he can serve your purposes”. A manipulative little minx to say the least. I like her.
I’d also like to portray a drunk throwing punches at the moon and it would be really fun for him to say something like “Kiss the north end of a southbound horse”.
And, because the world ends at the end of the book I must somehow tie in the beginning of the world.
“In the beginning was the word, he thought as he walked across the…and down the…and the world was with God, and the word was God.
Just as Adam gave names to the animals in the garden of Eden with words, words, words, so too the indians gave names to the places of this world. They named Mackinac Island, Turtle Island where Nanabozho created the world on a turtle’s back with a bit of mud from a muskrat’s paw. They named the great lake Michigan, the Great Ocean Water, and the land of Wisconsin was the place where The Waters Gathered, Illinois was the land of Great Men and Chicago itself was the place of Wild Onions because the aroma of the swamp was to strong.
And, with each name they bestowed they became masters of their world. For, the act of naming defines things and gives you power over them. It is magical. “Things don’t exist until you give them a name.” His old college professor used to say. “This is the power of language. This is the power of the gods themselves.”
The indians named their world and each of those names told part of a story that portrayed their relationship with the landscape. But, why couldn’t he?”
Yes, why couldn’t he and why can’t I?
Oh, and let’s not forget that there is a Native American legend that says, " If you have a secret wish, capture a butterfly and whisper your wish to it. Since butterflies cannot speak, your secret is ever safe in their keeping. Release the butterfly, and it will carry your wish to the Great Spirit, who alone knows the thoughts of butterflies. By setting the butterfly free, you are helping to restore the balance of nature, and your wish will surely be granted."
This is great stuff because it ties in with the butterfly effect which is a concept in chaos theory that says, in effect, the movement of a butterflies wings in Japan can eventually lead to a Tornado in Kansas.
And so, I have all these little things I must string together like the flapping wings of a butterfly before they become a book. I’ve literally got hundreds of pages of this stuff that I must turn into a book. This is nothing like I thought it would be when I started out. It is more of an Easter egg hunt.
Found another one…
The room was filled with north side nabobs and Dapper Dans from out of town, nobodies from nowhere who were rally suckers and marks to be fleeced and released by the faro Tigers and the Card Sharps.
Good stuff, but what do I do with it now?

Sunday, March 6, 2011

The Second Novel

Sorry I haven't posted in a little while. Life seems to have gotten in the way. I was just walking along, minding my own business and, out of no where, I discovered I am about to become a grandfather. Didn't see that one coming. Ouch. But thankfully we had some great conversations with some published writers. Thank you ladies. I wish you every success in your careers. I've just received Marva Dasef's The Tales of Abu Nuwas and will be reading it shortly.

But, this has all got me thinking about second novels. In the early 90s I remember hearing about a fantastic first novel called The Slynx by Tatiana Tolstaya. A few years ago I heard this writer mentioned on the radio in a conversation about writers and why following novels are not quite as good and it was conjectured that so much focus and effort is placed on the first novel that following novels are something of an after thought. Somewhat like the team whose goal is to get to the Superbowl rather than win the Superbowl.

And, then of course, life tends to get in the way. It certainly has for me. But, I want to tell all of you struggling novelists who are trying to convert a pocket full of post it notes into the Great American Novel that you will eventually get there. Life is a battle of minutes and inches, keep going and don't let life get in the way. The three authors who have been recently intervied on this blog did it and, as I prepare to publish my first novel The Vagabond King, I am actually a bit amazed that I did it as well. It took me about 20 years and 25 drafts but it is finally about to see the light of day.

And now on to the second novel. Are you ready for this one folks? The working title is The Mythological History of the City of Chicago. Not a title that trips lightly off the tongue, is it? Well, that's OK because the premise is a lot easier to swallow. The story is narrated by the Potawattami trickster god Nanabozho and simultaneously follows a reporter at the turn of the 19th to 20th century as he tries to discover the real cause for the Chicago Fire, while the voyageur Robert Rene Cavalier de La Salle slowly goes insane a few hundred years earlier as he tries to establish the empire of France in the New World and as the Chicago Cubs and the Chicago White Sox compete in the7th game of the world series at a time sometime in the future. Spoiler alert!.....The Cubs will win the World Series a feat that even the most faithfull somtimes doubt. And, with the Cubs victory in the World Series, the book must end with the inevitable destruction of the world.

Yes, I've got my work cut out for me. Thank God for the magic of quantum physics.

Wednesday, March 2, 2011

Author interview - Chrystalla Thoma

I have had computer problems recently so have been un able to make any postings. Fortunately, we have an interview today with recently published author Chrystala Thoma. She's got a fascinating story, and that doesn't even include her book. Thanks for joining us today Chrystala.

Please give me a general biographic background to introduce you to the readers. It can be anything you want to share: where you grew up, education, interests, employment experience, age, marital and family status, publication history etc. Whatever you feel comfortable with.

Hi dear James, thanks for hosting me today!

I bear the name of both my grandmothers (Chrystalla), which is a typical name here in Cyprus. I am Greek Cypriot, and until the age of 10 I knew about 7 words of English. Boy did that change later! J I left Cyprus to study languages and translation when I was 18 (back then there wasn’t a university here yet). I studied in France, then in England and Germany where I did my PhD in linguistics and translation. There I met my husband, Carlos, who is Costa Rican, so we moved to Costa Rica for a few years. Since summer 2010, we live in Cyprus. Like every self-respected author, I have gone through different sorts of jobs – from answering phones in KFC here in Cyprus to teaching English and French to children, from being the guide for Cypriot tourists in Disneyland-Paris in France to teaching linguistics at university students and working as a freelance translator. Right now, I work as the European countries officer and Magazine editor for the Thalassaemia International Federation.


When did you first decide to become a writer? What was that like?

I’m not original in this: I decided I wanted to be a writer when I was about 10. And then seriously decided it again when I was 12 and wrote my first novel. It was a wonderful feeling, like going home after wandering aimlessly for years. But it didn’t last, because I was discouraged by everyone I knew. Not because I was a bad author (for my age!) but because in the Greek world at least there is no money in being a writer. What it was like? Like falling from a cliff. Scary.

Who were the writers who inspired you when you were younger?

One huge influence was Jules Verne, another was Michael Ende (The Neverending Story, Mirror in the Mirror, Momo). It was obvious from the start I was into science fiction and fantasy, lol! My first stories and novels were fantasy as well.

What kind of obstacles did you face when you first began writing? How did you overcome them?
Well, let’s see… The first obstacle was in my mind: since writing in Greek isn’t really going to be a career, and since Greeks don’t go much for fantasy and science fiction, which incidentally are the two genres I really like, then the solution is to write in English. My English isn’t bad, heck I even have a BA in English literature and translation. But, for some reason, I was certain that no author can write in any other language than their mother tongue. So I had to get over that mountain of preconception and fear. My first attempt at writing a story in English (from scratch – not writing the text in Greek and then translating) was scary. But after that it got better and better. Perseverance I think is the word – mulish stubbornness. I want to do it, so I can. J


How long and how many drafts does it usually take to finish a novel?

Ooh, such a precise question, looking for a precise answer… Horribly many? Countless, I guess. My problem is that once I write the first draft, I let it rest too long. So when I return to it, I rewrite it completely. And so on and so forth. So I have a piece of advice here, which I formulated in the past year after one such experience: never let your writing rest for too long (for more than, say, two months). Unless you want to write a different story from scratch. There, I said it. Too much resting is bad for the dough, er, story.

What kind of obstacles did you face when you first published? How did you overcome those?

Oh my, very good questions. Hm… Well, I mostly published short stories in journals, and there the main obstacle is of course getting accepted. Now, for my urban fantasy novella, Dioscuri, my main problem was promotion. My publisher is excellent, so I had wonderful editors and a great cover – so my part was to promote, promote, promote. Make a trailer, do interviews, get reviews, post on the readers’ groups, write posts about the story. And believe me this takes up more time that the actual writing or editing of the story. I haven’t really overcome this problem. I have dropped out of the readers’ groups, but try to participate in the Six Sentence Sunday (a project where many authors post on their blogs each Sunday six sentences from a story they are publishing or currently working on) and try to post as much as possible about my stories.


What are your thoughts on self publishing vs. the traditional route?

Actually this is a topic that has been a lot on my mind lately. With the soar in sales of self-published books in electronic format – be it on Kindle, Pubit, Smashwords, Mac or any other format – the image of self-publishing has completely changed, due to the lack of publishing costs. I would love to try both the traditional and the self-publishing routes. I am very happy with my publisher and would like to submit more work to them – but would also love to self-publish a couple of things, see how it goes. What I particularly like about the self-publishing route is that the author has total control on everything – from the cover to the price.

What are you working on currently? Can we see a bit of it?
Right now I am working on a retelling of the myth of Theseus and the Minotaur. According to one myth from Crete, the Minotaur is Asterion, supposed to be King Minos’ son, but in fact his wife Pasiphae begat him with Poseidon who appeared to her in the form of a bull. Here are the opening lines (mind, though, that this is the first draft):

Asterion paced the length of the room, back and forth, fists clenched at his sides. The bull mask grinned at him from its perch on the altar, the golden horns sparkling in the candlelight, the gem eyes glittering.
“You must do it,” said a gravelly male voice.
“Or what? The world ends? Chaos will fall on us?”
“And if I said yes?”
Asterion halted. Bitterness welled in his mouth. “I can’t do it, silene. I can’t be his vessel for his gruesome sacrifice. I won’t kill them. I don’t owe Poseidon anything.”
The silene shook his shaggy head, long animal ears drooping. “He is your father.”

This story is set in the same world, in an Athens where the old gods have woken again, as my published novella Dioscuri, available now through MuseItUp Publishing here: http://tinyurl.com/497ftpr

What advice do you have for aspiring novelists?
Write what you’d love to read. Persevere. Revise. Rewrite. Don’t ever give up.

Where do you see yourself ultimately taking your career?
I am working on a couple of science fiction and fantasy novels right now. I hope to publish some the traditional way, and some through self-publishing. And I hope one day to be able to concentrate fully on writing – so if anyone has a fortune they don’t need, please mark my email address and make me your inheritor. Please, and thank you. J

My blog:

Tuesday, February 22, 2011

Interview with Victorine Lieske

Bio:
Victorine and her husband live in Nebraska where they manufacture rubber stamps for the craft industry. They own and operate Victorine Originals Rubber Stamps from their home, where they raise their four children. Victorine has a degree in Art from BYU Idaho, and designs many of the rubber stamps they sell. She has always loved to read, and in her spare time she writes.

When did you first decide to become a writer? What was that like?

Funny thing is, I never decided to become a writer. I wrote my novel to attain a goal I had set for myself. I have always loved to read. As a kid, I decided I wanted to write a novel, so I started writing and got about 10 notebook pages done before other things took my interest. As an adult, I found a renewed interest in this goal so I began another novel, but again I gave up after a few pages.

Then one day I was lifting my daughter from her car seat and my back seized up. I couldn't move. I decided that was the perfect time to try to finish a novel. So I typed on my laptop and finished the first draft of Not What She Seems in one week. Then after meeting that goal, I decided I would try to see if it was any good. I'm go glad I found some honest people. The book needed a lot of help. So I joined CritiqueCircle.com and submitted the novel through twice, and it has greatly improved.

Who were the writers who inspired you when you were younger?

I read anything I could get my hands on. I read Beverly Cleary, C.S. Lewis, George Orwell, Madeleine L'Engle, L.M. Montgomery, Edward Egar, and Ray Bradbury to name a few.

What kind of obstacles did you face when you first began writing? How did you overcome them?

The first obstacle I had to overcome was being afraid of criticism. I didn't want to hear anything bad about my work. But I soon overcame that through posting on CritiqueCircle.com. The next biggest obstacle would be finding the time to write. I'm still working on that one.

What kind of obstacles did you face when you first published? How did you overcome those?

Obscurity. I believe that is every authors largest obstacle. I had to let people know about my book. The best way to do this, IMHO, is to get active on the social networks that Kindle owners hang out on. (Because I published on the Kindle first.) It does take a lot of time, but it's not "hard" selling either. It's just getting to know people, and once they do, they'll naturally want to know more about your book. And they'll also want to tell more people about it if they liked it.

What are you working on currently? Can we see a bit of it?

I'm currently finishing up a novel titled "The Overtaking." It's a romantic sci-fi, with paranormal aspects. I posted the first chapter up on my website, if anyone wants a sneek peek at it. http://www.victorinelieske.com/ Just click Books and there's a link on that page.

What advice do you have for aspiring novelists?

My best advice is to join a critique group. Whether it's online like CritiqueCircle.com or in your area where you meet face to face, your work is going to improve through the critique process.

Where do you see yourself ultimately taking your career?

For me, it's about sharing my book with readers. If I can post my stories by myself to the Kindle and Nook, and earn a living doing it, that will make me the happiest person in the world.

Friday, February 18, 2011

Just give it up kid!

I would like to write a little bit today about the value of quitting. Yes, I know that sounds odd. Quitters ar not very popular with the mainstream. Quitting is frowned upon as a fault and not a virtue. However, as a young writer I found a hidden value in quitting and I'll tell you why.

The writing process was very difficult for me. I had absolutely no idea what I was doing. The "creative writing" classess I had taken were absolutely useless, the teachers had no idea how to teach creativity or even the fundamentals of the craft of writing. I was working a job I hated (7pm-7am driving a forklift, then going home to care for my son while my wife worked and getting at most 2 hours of sleep a day) all because I wanted time to dedicate to writing. You can imagine how frustrated I was. I understand how frustrated you might be in your efforts to write your novel. And, this is where quitting comes in.

I frequently gave up. I said, "I quit, I'm done, it's never going to happen." And then, one,two, three weeks down the line and I started up again. I could not quit. I had a deamon inside me that had to come out and would not leave me alone.

You see the nice thing about quitting occassionally is that it will prove to you who you truly are and what you are truly intended to be. If you quit your novel and never return, great. Not everyone was meant to be a novelist and there is no shame in that. It simply means that your life's path lies down a different road. But, if you tak up the pen again you know that you are doomed. There is no getting around it. THE NOVEL HAS CHOSEN YOU. IT IS YOUR MASTER AND YOU MUST OBEY.

And, so when that happens you must take up the pen and resolve yourself with the stoicism of a, hmm, let's see, with the stoicism of a Stoic to write and revise, write and revise, write and revise until what must be has come to pass.

Wednesday, February 16, 2011

Interview - Marva Dasef


Marva Dasef is a writer living in the Pacific Northwest with her husband and a fat white cat. Retired from thirty-five years in the software industry, she has now turned her energies to writing fiction and finds it a much more satisfying occupation. Marva has published more than forty stories in a number of on-line and print magazines, with her stories included in several Best of anthologies. She has six published books. See a complete list of her work at http://marvadasef.com/.

Her most recent release is "The Tales of Abu Nuwas." She'll be giving away a free ebook to blog visitors who leave a comment.

Q: When did you first decide to become a writer? What was that like?

I decided to become a professional writer in college. I was actually forced into it by getting a student job at the Computer Science Department. The head asked if I'd write technical manuals for using the various computer equipment. In addition, the student programmers were working on an NSF (National Science Foundation) grant to develop user-friendly software. That was one big reason the department head wanted an English major. I ended up taking computer science courses along with my lit and writing courses. Voila! I received the first technical communication degree (I think anywhere) with an English major and Computer Science minor.

I scattered some fiction writing here and there over the intervening years until I retired from a programmer/analyst job and decided to write stories instead.

Q: Who were the writers who inspired you when you were younger?

Science Fiction writers like Heinlein, Clarke, Asimov, Niven, and many, many more. SF combined my interests in science and literature. How perfect is that?

Q: What kind of obstacles did you face when you first began writing? How did you overcome them?

Not really an obstacle, but I had to overcome my learned terseness as a tech writer. Description in tech documentation tends to be sparse. "The cursor is shown as a blinking underscore." Ahem. Boring, eh?

Q: How long and how many drafts does it usually take to finish a novel?

I don't count drafts. I have a first draft, then I revise, but rarely rewrite huge chunks of material. Mostly, I add that color writing I tend to skip when getting the plot down.

Q: What kind of obstacles did you face when you first published? How did you overcome those?

Naivete. I thought any publisher was a good publisher. I had to wait out two-year contracts to get my rights back on two books. When I did, I went with self-publishing since nobody wants a reprint.

Q: What are your thoughts on self publishing vs. the traditional route?

I learned to self-publish from necessity. In addition to the two books I wanted to re-issue, I had a book of related short stories based on my father's boyhood in West Texas during the Depression. Again, nobody wants a book of short stories. I did submit the individual stories to magazines and sold seven of them. That's when I decided to put all the stories together in a single book and came out with "Tales of a Texas Boy." This is still my best-selling book. It's funny and nostalgic, reminiscent of Huckleberry Finn in that it's written in first person as an eleven-year-old boy. With dialect.

Q: What are you working on currently? Can we see a bit of it?

I have gotten too far into my next book because I've got four books already at a publisher. I'll be very busy working with the editors, cover artist, trying to get my publicity act together. My most recent release is the re-issue of one of those books released from contract. I added a frame story a la 1001 Arabian Nights to pull together the seven adventures of a girl and her genie. It's "The Tales of Abu Nuwas." I'm giving away an ebook or two to people who comment on this blog. I've included an excerpt below.

The four upcoming books are:

Missing, Assumed Dead - a mystery/suspense set in Eastern Oregon scheduled for release in July.

The Witches of Galdorheim series: Bad Spelling, Midnight Oil, and Scotch Broom. This is a MG/YA fantasy set in the real world of the Arctic, Norway, Finland, Siberia, Scotland, and other places you can find in an atlas, and some only in my mind. If I working on anything, it's a fourth book in that series, but is still in rough outline form.

Q: What advice do you have for aspiring novelists?

Do your research at places like Absolute Write, but don't discount small, independent publishers. Very few will get an agent and a contract with a big New York publisher. Certainly, give that route a good shot first. That is the ideal situation, but if a year goes by without getting an agent, decide whether you want a trunk full of unpublished books or do you want to be published.

Ebooks have made it easier to get contracts with up and coming small publishers. They're hungry for good writing.

Q: Where do you see yourself ultimately taking your career?

I expect I have achieved the height of my career already. I've learned a lot about writing fiction. I have a terrific publisher. I think I'll just keep on with what I'm doing.

“The Tales of Abu Nuwas”
Available in ebook format through:
(Use coupon DR46W to buy for 99 cents)




Blurb:

Abu Nuwas sits in the bazaar telling stories to the passersby he can tempt to pay. When Najda, a poor girl, offers him a packet of spice for a story, Abu Nuwas launches into a tale about a girl named Setara and her genie. As did Scheherazade, he leaves the girl hanging in the middle of each yarn to keep her coming back for more. While relating the fantastical accounts, Abu Nuwas learns more of the spice girl's life, then finds a way to save her from a forced marriage and find a better life.

Excerpt:

Setara slumped to the cave floor. What, she wondered, could these superstitious tribesmen think was a mountain demon? Cloistered she may be, but she was well educated and did not believe in demons. These were old men’s tales to frighten children. It made no difference, really. Dead was dead, whether by a demon’s talons or a mountain cat’s fangs.

She smacked her head against the rock wall and realized she had dozed off. How stupid of me. I’m waiting here for something to eat me and I take a nap! She edged toward the entrance, kicking herself mentally. Why hadn’t she simply tried to push the bushes aside and get out?

She found the answer in the inch-long thorns on the shrubs, tied down so she couldn’t move them. When she had pushed on them with her tied hands, she got a gash for her effort. Now, the mountain cats would smell blood, and it would be all over.

Backing away from the thorns, she pushed her body into the wall. At least she could face the lions when they came.

A loud crash, followed by a slither of loose gravel sounded no more than twenty feet from where she crouched. Setara pressed herself harder into the cave wall, closed her eyes tight and clenched her teeth.

Her eyes and mouth popped open simultaneously at what she heard next.

“Why can’t they clean up these blasted caves?” a deep voice rumbled.

Suddenly, a torch flared, and Setara could see the source of the voice. An eight-foot tall figure loomed in the light. A turbaned head nearly touched the now visible cave roof. Setara gaped at the man. Or was it a man? While his features were man-like, the three-inch fangs, sharp talons, and beastly snout belied his humanity. Dressed in the old style, with ballooning trousers tied at the ankles, a brocaded vest opened to reveal a broad, hairless chest.

The creature held up the torch, which Setara could now see was a flame jetting from his upraised index finger. The monster glanced around until his gaze rested on Setara.

Monday, February 14, 2011

Where does inspiration come from?

"An apple assed half appalosssa named Alice got booed 'cause she pooed in the back of the palace".

That is what one of my good friends, a musician, used to say in college.

His brother. also a muscician, used to say things like "Time to change my life, lay down some roots...makin' love in lizard skin boots".

Ah, college and the stupid things we used to say. But, these were the people who set the example for me to become a writer...musicians.

But, whether you are a musician or a writer, inspiration is a difficult thing. Where does it come from and, more importantly, how doe you harness it once it arrives?

Most of my drafts look something like this...

I wanted to give Magda the stars in the sky and over the next few weeks I continued searching for a present for her. Though I continued looking for something for Magda over the next few weeks, it was no use. I wanted to give her the stars in the sky. But, I could find nothing, no matter how expensive it might be, that symbolized my true feelings for her. And so Chjristmas came and went and though I gave her something, it was nothing meaningful. PORTRAY HIS LOVE FOR HER AND THE THINGS SHE DOES.

The 12 days of Christmas, the bright fires, the yule log, the giving of gifts, carnivals(parades) with floats, carolers who sing while going from house to house, the holiday feasts, and the church processions can all be traced back to the early Mesopotamians.

Many of these traditions began with the Mesopotamian celebration of New Years. The Mesopotamians believed in many gods, and as their chief god - Marduk. Each year as winter arrived it was believed that Marduk would do battle with the monsters of chaos. To assist Marduk in his struggle the Mesopotamians held a festival for the New Year. This was Zagmuk, the New Year's festival that lasted for 12 days.

The sun is the king of time. But, day after day the sun sank lower and lower in the sky like the nodding head of an afed king whose crown had grown too heavy. To the ancients, Magda said, the sun was the one true God himself, the merciful source of all life, of all our blessings and everything we hold dear. So, it was cause for great concern when the radiance of the almighty grew weaker and the night grew longer and longer as if they would soon be swallowed by the universe itself.

...literary detritus, driftwood that has washed up on the shores of my mind. It means something, I just don't know what and it's my job, our job as writers, to translate these impulses and images that arise from the subconscious into something palateble for the masses.

Even though I am a novelist, I have always had an easier time writing poetry. It might take me 25 drafts to figure out what to do with all the disparate images that accumulate on the sea shore of my mind but, after reading Alan Ginsburg's Howl just once I said to myself "I can do that" and, in 15 minutes wrote.

The King is Dead!
And right and left, left and right,
upon two ragged and separating shoes,
the news is carried through the dying light.
The king is dead! The king is dead!
The word is muttered. It is said.
The word is heard but, like a ball
thrown into the wallless void beyond,
there is no customary response and call
proclaiming the sovereignty of the son.

With the click and the kick of Anarchy's gun
the lid slams shut upon the eye
and sends the regal orb a'rolling
down the pyramid's widening walls.
As in a pinball slot, or a ball gone bowling,
it wends its way upon a splitting fissure until finally it
falls
into the void
scattering pins and people in the sunken sun.

And I ponder now the point of a pyramid
who's very reason for being is pointless.

A multitude of headless chickens react and race,
like contracting atoms,
about the yard to cluck and call.
"The sky is falling! The sky is falling!"
No, not really.
But the universe, it is true,
at least as far as I can tell,
is shrinking,
and no longer extends beyond the finite boundaries
of a mess of mortal organs
wrapped in human skin.

The king is dead and we are
split,
like atoms,
by a trickster god.
You and I become me and you.
And hark!
Who goes there in the night?
One is black and one is white...
but only in the other's eyes.

And who is wrong  and who is right?

Who can judge now that our ruler's lost
and Juliet would be a son
and not a daughter?
We've tossed the truth out with the water
and got each other's reasons crossed,
like the hairy legs of a woman
trapped inside the body of a man.

The king is dead!

The word filters through our window
from the senseless central boulevard.
The word is spoken.
It is barked and bleated 'round our table
as our father's words are now taken as a token
to spend on candy and cheap diversions
before each and every frustrated one of us
separates for bed.

Dissenting thoughts now fill the heads of man and wife.
We chant our mantras beneath closed coffin lids
before each of us, coming to his and her own conclusion,
rolls away from the empty center of the marriage bed,
and satisfied,
we turn out the light.
And continue rolling,
and continue rolling,
and roll away into the expanding night...

Great, yet another piece of driftwood that I have to figure out how to fit into a novel.

I worked for years, hammering these things into a home, something presentable that I could show another reader. And, it literally took years before I had a draft that would make even the slightest bit of sense to someone other than me and the two or three other people who seemed to have taken up residence in my head in the time since I had begun writing. Know the feeling?

But, here is the thing. Human beings are physical manifestations of the universal mind, that great collective unconscious that we swim in when we dream. Most people don't realize this or, if they do, they don't care. Inspiration is all around us, we can't help but step in it like cow pies in a farmer's field. As artists, writers, musicians, whatever we have asssumed the task of taking this wift of wind called inspiration and crafting something that the rest of our species can understand. We are the translators of dreams. And our task is to determine what has meaning and what doesn't. That is why the poem above eventually made it into The Vagabond King...but so did the apples assed half appalossa named Alice.